Resources

Saturday, July 4, 2026

Vintage Instruments On H.M.I. Cuts



Here’s more links to Handa-McGraw International cuts that feature a now vintage instrument. 

Part 2


1949 Martin Style A Flat Back Mandolin. 

Beach Dog

https://youtu.be/Uv4LZ-LyNtA?is=qXBvy3neCcjWGBb0

The Prairie Sea

https://youtu.be/zjAHLaXC5G0?is=UJHymlZZPXfCLlWC

1930 Maybelle (4 string converted to 5 string

It Never Rains On My Banjo

https://youtu.be/cnJGfFxwy7o?is=kYI6bF-zLupfRFyX

1940 4 string banjo with 5th string instead of bass.

Banjo Music Box

https://youtu.be/ftSwfd2esqM?is=zY7ArsRJXe91zUv6

1970s charango

A Charango Is Born In The Andes

https://youtu.be/d6iN-yWWexM?is=Fq0rMMtadKkC8ZSj

60s Japanese Jazzmaster Body copy

Juke Joint Medley

https://youtu.be/3cskdFwHbZI?is=2HsNwIfWw7AuInp4

J55 Gibson 6 String acoustic 

Madagascar Summer

https://youtu.be/Srh1R1Bh7Rs?is=PvEgoMA2Von9HPrF


Delta Snake Aftermarket Review: Cozart Electric Resonator


The first aftermarket review is going to be about the 2024 Cozart Electric acoustic single cutaway resonator.

I have been playing it a lot so there are some observations since I wrote the original review. I had noted that the ergonomics were pretty good and that's still basically true except I'm not sure how the guitar was sitting on my lap during the first review. It now sits a little further back, kind of like how an Epiphone Casino rests on my leg. It makes it feel like it's going to pop upwards instead of down. 

In other words, it's the opposite of neck dive. I solved that by holding it like a Flying V (between the legs). After that, it became easy to play. However, it did change the feel of the neck from the standard 12-14 fret type resonator to a longer scale. Maybe like a telecaster, I guess. 

In terms of the resonator sound, it never changed. It's about the same as it was. There are two things about a resonator cone. One, the most important thing is that it produces a lot of volume. Second, there is a certain tone that one associates with the resonator. The Cozart is quiet, about as loud as a semi-solid. It’s a little louder with finger picks or a regular plectrum. As far as the sound, it pretty much sounds like a resonator, albeit a quiet one.

I've noticed that the playability is affected somewhat by the biscuit bridge because if you play hard, it can knock the E string off the fret board. You have to play it carefully. If you've got the action high for slide, then I think you can bang away at the thing. In my case, I keep the string height lower so I can finger pick it.

As far as the biscuit bridge, there’s been two string changes. It’s not incredibly hard; it strings like a banjo or Archtop with a tail piece. However, the first time that you take the top off and remove the bridge to do anything with it, you'll find that when you put it back in, it doesn't sit like it did before. In other words, it's going to buzz. 

So, my case, and maybe this isn't true for all of this model, is that you have to do a little shimming on the side to push the biscuit up against one of the sides of the hole that the biscuit resides in (That's the best way to describe it, I guess). Other than that, it's pretty much your standard biscuit bridge. You might be tempted to cut some string notches into it. That’s an individual judgment. I personally don't.

If you have to do any work on the bridge, like to lower it, the piezoelectric strip has to be seated back in correctly. If not, it simply won't pick up sound. You'll have to go back into the cone and adjust it. So you have to be careful with that. Removing the cone is easy but the screws are small and the drilling of the holes are OK but not precise like in a more expensive guitar. It’s a good idea to be patient and put the cover back on slowly. 

As far as the “blend” sound, which is the sound produced by combining the piezoelectric and the regular neck pickup, it's close to a standard resonator tone. However, the tone reminds me of semi-solid because this guitar is really somewhat like one. Most resonators have the cone built into a hollow body. This one is built into a solid body. There’s a large hole for the resonator cone and the rest of the body is solid.

So, you've got basically a solid guitar with a very large hole that happens to be covered with a resonator cover and a small cone. That gives you a mild resonator tone, certainly enough to be identifiable. However, a lot of the tone, particularly up past the 12th fret, will probably remind you more of a semi-solid guitar.

All in all, I do like the sound. If anything, I prefer it because the tone is a little different and the sustain is sweeter. I'm used to the size and the way it fits.

The Cozart is basically your classic short-scale guitar, and as such easy to play. This is definitely a guitar that doesn't feel more and more flawed as time goes by. 



Thursday, July 2, 2026

Introducing “The Aftermarket Report”


I'm going to start a new feature that'll be exclusive to this blog. It'll be called the “Aftermarket Report.”
I've said in past reviews (and others have said the same thing) that you often have to play with an instrument for a while to get a real idea of what it's like. There are instruments that reviewers get an impression of when they play it for, I don't know, maybe a couple hours or for a bit at a Guitar Center and then that's the review. That’s not an invalid approach if the player/reviewer is knowledgeable or at least fair but I’ve read or heard reviews that said more about the player, his taste or snob level.

In the case of commercial publications and Internet sites, you’ll sometimes (or often) get a review that's kind of tailored to, what’s a good way to say it, to look honest but to please or not offend the advertisers (or potential ones). In my opinion, that type of commercial review is pretty easy to spot. The guitar always has a great side and the main objections tend to be very small points like being the wrong color, you might not like the switch location, etc., things that are frankly quite small. 

You won’t hear stuff like; the parts on this guitar is going have to be replaced as the switches are incredibly cheap and look like they’ll break in a month, the amount of set up work is going to be way too much hassle or that there are much better guitars in that price range (an actual head-to-head comparison).
To be fair; reviews that are curt dismissals, have disrespectful language, or feature a guitar being judged by a very black-and-white standard should be considered potentially unfair. Being negative or critical isn’t necessarily a sign of honesty.

One way to get a better picture of an instrument is to check out as many YouTube videos as possible and definitely the operating phrase is “as many as possible.” That’s to offset reviews by Youtubers who’ve been paid to put on a nice infomercial, particularly for a cheap “internet brand,” or in order to get views, to slam or over praise a guitar. 

The main point being is if you watch several videos on a guitar or whatever, you can get a pretty good idea of what it sounds like, or maybe more to the point, how it’ll sound when you play it. You may not get any real insight on certain technical aspects like how much set up is really needed, but the most important thing is that a variety of videos can give you a more accurate picture. 

In fact, in my opinion, the best range of videos is to view some beginners, mids to advanced players so you can hear the whole range of what the guitar is gonna sound like. So what I’m going to do is on guitars that I’ve reviewed or owned in the past and had later experiences with them, to add a loose, casual evaluation or reevaluation of a particular model that has developed over time (as opposed to the first impression). 

I think other guitar players have experienced this; some guitars that struck you as being only pretty good or mediocre that turned out to be pretty nice guitars in the long run when you got used to them or was able to get past some preconceptions. Also, guitars that were praised but turned out to be maybe a little more trouble than they’re worth or have quirks that really need to be identified upfront so that people who are looking to buy the particular guitar can make a good evaluation of the instrument.

On this series of reviews, which will be put up at somewhat regular intervals, I’ll have a short paragraph maybe to identify what I’ve been talking about here so that people will know what the review is all about along with that title, but I’ll refer people back to this particular blog entry so that I don’t have to spend a lot of time saying the same thing. 

I’ll just simply identify the guitar when it was reviewed or owned, my later experience with it and to what conclusion it leads me. I think it’ll be a reasonably different angle; not the ultimate one, but one to definitely take into account if you’re looking for a guitar. It’s good to look at the reviews, check out videos, and in this case, hear some opinion on how the guitar is like after it’s been lived with it for a while.

One last thing; since the technical specs and data have been covered in the original review or in previous reviews, I’ll stress more of the experience or observations about the instrument that have come up over time and how they are compared to the original conclusion(s). 

The first one should be uploaded in a day or two.

Al Handa
July 2nd, 2026