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Showing posts with label les paul special. Show all posts
Showing posts with label les paul special. Show all posts

Monday, July 13, 2026

Review: 2020 Epiphone Les Paul Special 1 P90 - Worn Cherry


Review: 2020 Epiphone Les Paul Special 1 P90 - Worn Cherry


The Epiphone Worn Cherry Les Paul Special 1 with two P90 pickups was discontinued in 2021. It was a success so there's plenty of used ones around in the 100-250 range. You can find a lot of reviews both in print and video and on the whole, it's considered a nice budget guitar that has something for both advanced and beginning players.


So, in my case, I'll simply be adding my two cents to the general opinion and lore of this particular guitar, which I have always liked. It’s a mahogany “slab” guitar and the fact that it has a bolt on neck doesn't bother me since I'm used to Fenders. It's not technically a mahogany guitar in the same way a Gibson SG would be. I think it's more a matter of the wood being in the same family as the mahogany used for the higher grade guitars. Nonetheless it still has the same sound characteristics.


Other plus points are that the lightness and ergonomics are excellent. The Les Paul Special also has an easy to play neck, it's lightweight and the balance is good.


My reason for getting this particular model is that I wanted a low cost version of Bob Marley’s first guitar, a Gibson Les Paul Special that had some modifications but the bottom line was that it was a mahogany Les Paul Special with P-90s. Epiphone came out with a Bob Marley tribute guitar but it was a tribute, not a reproduction of the original. There’s a review of it here on the site which explains the differences.


There are certain configurations that give you a close approximation of a celebrity’s guitar, or more specifically, his or her sound. Another example, reviewed on this site is the Monoprice Offset, which is a jazzmaster body with HSS Strat style pickups. The bridge humbucker combined with the jazzmaster body gives you an economical approximation of the same position on a Curt Cobain jaguar but a whole lot cheaper. Which is good because Cobain didn’t play a jaguar like the tribute version for very long (he preferred modded Fender mustangs and his jagstang offset).


There’s been a lot of hype and praise about P90 pickups lately but one thing I've noticed is that some beginners don’t expect the level of hum that they can be getting. That goes especially if you're in a house or environment where there’s neon or electronic devices that can cause a lot of hum. Even if it’s dealt with at home, going out to another place like a club or rehearsal studio can bring it on. It’s an environmental element.


If you read or watch guitar reviews by Independents who aren't connected to a magazine that depends on ads or aren't doing a paid infomercial (like on YouTube), you'll find that the talk about the P90 pickup is far more candid and many flat out say that the pickups are noisy. 


That hum isn't a big deal to an advanced student who knows what they're looking for in a P90 pickup and the fact that this particular guitar is a very budget-friendly way to get a P90 sound. The problem for a beginner is that they might live in a house with a lot of interference. There can be certain rooms where this particular Les Paul Special makes virtually no noise and others you can't get the thing quiet unless it's put through a noise gate. 


That's something I'll put up with because I'm used to it and am using the guitar for that P90 sound, but it's something a beginner should know about. If a beginner wants a single coil sound they should also investigate Fender/Squier as those guitars tend to be quieter (in my opinion, I could be wrong).


The P90 has a beautiful clear tonality on clean amp settings and real power under high gain settings that you don't get from a lot of other pickups, it's a classic sound, particularly if you like blues or rockabilly. Also a lot of 60s rock like the middle period Who or early Black Sabbath was basically a P90 sound.


On the other hand, if you buy one of these and it's noisy, you can put in some shielding, get a noise gate or, last resort, just play in the middle position. As a general rule most P90 guitars no matter how cheap, the middle position is almost always quiet. However, any hardware solution adds too much cost for an entry level guitar and the fixes (like shielding pickups) is more of an intermediate skill.


I should add that my judgement of the Les Paul Special being noisy is relative; compared to some of the really inexpensive guitars like you see on Amazon, this Epiphone is quieter by far. There is a lot more quality here.


The P90 pickup, and that's what it comes down to with this guitar, it's about the pickups, is one of the classic sounds of rock and anyone who likes to play it should always consider getting at least one P90 guitar in their collection and this budget-friendly version is a good option. 


So, if I were asked to sum up this guitar; it deserves its good reputation and it's an excellent low cost way to get some P90 sounds into your repertoire. Buying off the internet or a Guitar Center can be a better option because you can return the guitar if your playing environment is simply too noisy with too much cycle hum or device noise.


I'm not saying all this to warn people off the guitar; I just think that if it's promoted as a beginner's guitar, it should be with a detailed explanation of what it can mean in terms of potential noise, which if you're a beginner you just may not want.


In my case, I like the guitar and I'm not that interested in having an expensive P90 guitar so this particular Epiphone is, so far, one of the best budget options for a P90 guitar that I've seen. In the end, a P90 guitar can be considered an enthusiast guitar or one that can turn you into one.


Al Handa

July 13, 2026



The Epiphone Les Paul Special I P90 


Body & WoodBody Material: Mahogany

Neck Material: Mahogany

Fretboard Material: Rosewood or Indian Laurel (varies by production year)

Body Finish: Gloss polyurethane or worn/satin finish (e.g., Worn TV Yellow, Worn Cherry, Worn Black)

Neck & DimensionsNeck Profile: 1960's SlimTaper "D" shape

Scale Length: 24.75"

Fretboard Radius: 12"

Number of Frets: 22 medium frets

But Width: 1.68" (approx. 42.67 mm)

Hardware & ElectronicsPickups: Epiphone P-90R (Neck) and P-90T (Bridge)

Controls: 1 x Master Volume, 1 x Master Tone

Pickup Switching: 3-way Epiphone toggle

Bridge: Compensated wrap-around fixed bridge

Tuning Machines: Premium Die-cast, vintage-style covered tuners



Friday, March 22, 2024

Review: Epiphone Bob Marley One Love Tribute Electric

Review: Epiphone Bob Marley Tribute LP Special

This is a interesting limited edition tribute guitar from Epiphone. Mainly because this is one of the few limited editions named after an artist who wasn't known as a great guitarist.

The lead guitar lines on his first groundbreaking record (the Island Records international mix) were actually played by Wayne Perkins, a fine session player. On the Jamaican mixes, there was very little lead guitar work.

Also, since Epiphone used no input from Marley (as he had passed away), it was created as a similar, but not exact reproduction. It does share some qualities as Marley's original Les Paul Special, but it's purpose is closer to that of a honorary statue than that of a recreated relic one can play to experience some of that person's legend.

The original Bob Marley guitar was an all-mohogany Les Paul Special, Gibson brand. It had P-90 pickups, and a wrap around bridge he installed himself. Gibson has created an actual limited edition of 200 “distressed guitars” that duplicate this setup at a premium price.

Getting back to the the Epiphone version. It is also an all-mohogany guitar, with a set one piece neck, and satin finish. In terms of profile, it's somewhat similar to the sunburst Les Paul 100, and as far as that goes, you have what is essentially a nice 350.00 guitar.

There are added features. The neck is wider and thinner, almost SRV style, with medium jumbo frets that have been nicely rounded. One difference from a regular LP Special is that the fretboard is flat, not curved, which makes the neck feel feel closer to an acoustic guitar than an electric. The tuners are Grovers, with a tune-o-matic bridge, and a brass nut (that adds to the tone and sustain).

The pickups are a step above the Epi norm. Both are '57 style humbuckers with a “hot” for the bridge. Separate volume/tone tone controls, a decent switch, and a good solid jack put this guitar into a nicer quality range.

The company normally uses it's Les Paul Special design for it's entry level instrument, and the total sum of the wood and features would place this one closer to their version of the Les Paul Standard in terms of performance.

Also, there's the tribute features, which is the main selling point. The design is such that one will either hate it, or love it. There's Marley's face on the guitar, in black, like on the “Burnin'” album. The fret markers are square and solid color, and match those of the Jamaican flag, and “One Love” shines in bright colors on the headstock.

As a final, and nice touch, it includes a hemp covered gig bag with Marley's image on it that lets you carry it with hand grips, or slung over your back. An extra bonus of a guitar cord with a 90 degree jack rounds out the package.

In terms of sound, it's quite good. Close enough to my Gibson Les Paul Special that I might just use this one instead, given that the Marley is significantly lighter. With the quality of the wood and construction, you do have a guitar I would say is better than, say, a Gibson Les Paul Special Junior (a model I didn't keep very long). That brass nut really improves the sustain, and makes the tone rounder.

Even with the seemingly incongruous riot of Jamaican colors and the image of Marley's face, the guitar can run through rock, blues, world music, or pretty much anything your average Les Paul Special can do.

The perception could be that you're paying a 150.00 premium for some decorations. However, I bought it after a good look at the specs, and felt that it was a lighter Les Paul Special at a bargain price.

So, the average guitarist might think, why buy a guitar dedicated to a rhythm player? 

Well, think of this. John Lennon, John Lee Hooker, Curt Cobain, Lou Reed, and Keith Richards, all well known as rhythm players first. While countless guitarists around the world copied Eric Clapton and Jimmy Page, and rattled off riffs like machine guns, these other guitarist created sounds that started genres and new styles.

Bob Marley was probably one of the greatest of such players. Before him, there was a small world music scene, and certainly no Third World superstars. When you see pictures of him playing on stage, he always had his guitar strapped on, and I suppose some would look at such pictures and still say he really wasn't a great guitar player.

Given what he achieved with his guitar, I say he certainly was.

-Al Handa
 2006

Note: This review first appeared on the ePinions.com site in 2013. This and other reviews were short takes that accompanied the link to a business that sold the guitar. As a rule, the guitar had to be at least examined and played by the reviewer (and ideally owned). In my case, a severe case of GAS made it possible to have at least owned the reviewed instrument for a short while. I'm reprinting these as having another source on a guitar never hurts, even if the reviews aren't definitive. Other than minor corrections, these short takes are unchanged from the original text. I figure that it might be helpful to keep the older perspective.


The Quitturz by Al Handa





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